The Triumph of the Musicians (over Donald Trump)?

The scope of Tim Blanning’s The Triumph of Music is to show the musician at one time a patronised servant of his rich masters becoming (in the 20th century) lord of all. Blanning illustrates that the musician's shackles were cast off by people like Bono, who have the ear of politicians and Elton John, whose homosexuality was once counter-cultural and now is not. It is a book that thinks itself far cleverer than it really is, for Blanning is merely repeating the accepted narrative that has been imposed on the history of music. He disregards any history that has not already been told ad nauseam. We might be lulled into believing the model by the simple fact that we have heard the tune so many times before. But it creaks under the scrutiny of a few counter-examples:

  1. Is the signed artist today really so free from the shackles of patronage that he can say what he wants? No. If he oversteps the boundaries of “modern values”, he will be unsigned and out on his ear. So he is not free. 
  2. Is the unsigned but successful artist free? No. Because if he says something that offends his fan base, they will damn him to musical oblivion.
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The Romantic: Someone who looks for spiritual truth in material things

Since most people are unaware of their own “Romantic” attitudes, the following definitions have been prepared to bring home the practical outworking of Romanticism in our lives today. Anyone who would like to understand the origins of Romanticism should read Tim Blanning’s rather uncritical work, The Romantic Revolution. In Music Mania I demonstrate how music became the exclusive domain of the Romantic movement.

This philosophy appears to be innocent and inoffensive but over time it perverts our perception of truth and destroys our ability to find truth outside of material things. For the Christian this engenders a change from living by faith through the Word of God, to trusting the Art of Man and therefore living by the senses.

If you had once walked in Christendom as “someone who expects to find spiritual truth in material things” you would have been deemed an idolater. After all, what does the idolater do that the Romantic does not? Either you make art or you purchase it from someone else, with the goal of gaining spiritual enlightenment outside of God’s appointed means. 

Not everyone will demonstrate every aspect here defined because people are never consistent. However, Romanticism is often stronger in women than in men, giving rise to a dislocation between the sexes that was unknown before the Enlightenment. Then the difference between the sexes was one of roles in the world - now we have communication problems based on a woman’s desire to live in a Romanticised bubble and a man’s inability to make it happen.

In broader terms, Romanticism encourages people to live selfishly and diminishes their capacity to judge other people’s needs. (The Romantic person will be moved by a television appeal for famine relief in Africa but will be unable to see the mum struggling to afford the weekly shop at the next checkout.) Therefore it has dulled our characters and left us as wraiths. We are sometimes awoken to reality by the magnitude of problems we cannot avoid (sickness, death, tragedy) and it is at such times that we realise the inadequacy of the Romanticised mind. If we cannot find a way to feel good, then who are we and what is left of our lives? Therefore Romanticism is nothing more than well-dressed Humanism, ivy climbing around the tree of our faith, to sap our hope in Christ and make us glad of the ivy’s supportive embrace.