How not to Wright a Song

This is a video of N. T. Wright, former Bishop of Durham, also known as "Tom". His ability to sell theological books seems to know no bounds. And now he also sings, after a fashion.

Comments could be made about the music. It might be said that it is cheap artistry to steal someone else's song and change the words (which it is). It might be said that his lyrics barely scan and that the song itself makes precious little sense.

But setting all that aside, what we have is N. T. Wright sticking two fingers up (musically speaking) at Creationists and doing so with the cockiness more commonly found in posturing and inebriated adolescents.

And therein lies the other problem.

This is a former Bishop of the Church of England. Where is his sobriety? Where is his reverence? How can he even think of singing flippantly of the Fall and even consider "why did we have to fall, I don't know, it doesn't say" as a tolerable sentiment?

Wright performed 3 songs for the private group and the comments on that site are perhaps more enlightening than the songs themselves, as it is assumed by one contributor that having Tom Wright sing anything comes under the umbrella of "Psalms, hymns and Spiritual songs".

As a parting shot, the former Bishop is quoted as having said of the evening that he had not had so much fun in a long time. One shudders to imagine "fun" as a requisite for Rev. George Whitefield, for Hugh Latimer, Thomas Bilney, for William Tyndale, or any of the other Englishmen who have lived and died as ministers of Jesus Christ.

Show - don't tell (The Wind and the Lion)

Christians in art say that they make films as they do in order to communicate the Gospel message. So they usually have a strongly "Christian" perspective in terms of characters, setting, even story. And because it has been regarded as a sine qua non of Christian film that there should be an absence of the real, dirty, sinful world (violence, language, sex, drugs, smoking, dancing ...) this has made sure that many Christian films are sanitised bubbles.

Watching The Wind and the Lion last night brought home an alternative view.

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Hubert Parry on BBC 4

Programme: The Prince and the Composer

Aired: Friday 10th February 2012

Hubert Parry is best known for two works: "Jerusalem" and "Dear Lord and Father of Mankind". A religious man, we might think. But no. His father's heart was made to ache by his son's rejection of Christianity.

He reminds me of Samuel Wesley, son of Charles Wesley, who left Methodism and became a Roman Catholic (while the work was there). And he in turn reminds me of so many men who have composed grand music "for the Church" from outside the Church. 

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The Diamond Jubilee

Once upon a time, before musicians were "emancipated" from the stability of permanent work and board known as Patronage, the great and the wealthy who employed these musicians sometimes found themselves praised in music. And why not? They were paying for the privilege.

In sharp contrast we have the unusual presentation of music in honour of Queen Elizabeth II's 60 years on the throne. The concert included a variety of acts and a variety of music. It praised many things. But oddly enough, not the Queen herself. Eric Coates' Three Elizabeths Suite is perhaps the last music written specifically to honour a living Monarch. We can play music to a Queen. We can play music in the presence of a Queen. But music for a Queen is something else. In short, it is nothing like the specially composed Jubilee song called "Sing" (by Andrew Lloyd Webber and Gary Barlow).

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Mortality, Music and Culture

The death of Whitney Houston is yet one more victim of humanistic "music". I speak of the culture which separates music from the Christian faith and tells musicians that they are special, wonderful, gifted, extraordinary, remarkable people. Such praise is hollow because the musician knows

  1. how much hard work is involved

  2. how ordinary they are.

No one is that praise-worthy. Some are wealthy. Some are famous. Some are adored. But these three factors only exacerbate emptiness if they are not ignored and if the glory is not given to God.

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