Released: "Rhuddlan Castle: Gateway to Wales"

Rhuddlan Castle DVD Cover.jpg

New from Lost in Castles:

Rhuddlan Castle: Gateway to Wales

This is my fourth Lost in Castles score. We started with Middleham Castle in Wensleydale, when I was a new music graduate. Next came Sandal Castle & the Battle of Wakefield, which featured the popular song Edward's Lament. Some years later, work completed on the mammoth documentary "Conwy Castle: Medieval Masterpiece", requiring a 90 minute score. Rhuddlan Castle: Gateway to Wales is the follow-up to Conwy, the second in the series Castles of the Conquest.

These scores are always very special to me. The films require more music than a drama, because the combination of real on-site footage and animated reconstructions requires "bedding in". Also, the historical aspect is always present but often has to be subordinated to focus on the castle, so the music serves to invigorate the pleasure that can be found in touring a castle site, even remotely. All the Lost in Castles scores are available to hear and buy online.

Find out more about the DVD here: http://www.lostincastles.com/rhuddlan-castle/


Dyserth Castle: Lost in Time

The special feature from Rhuddlan Castle: Gateway to Wales. Music by Abigail J. Fox.

Rhuddlan Castle: Gateway to Wales

Rhuddlan Castle: Gateway to Wales is the latest Lost in Castles feature-documentary. The score is just under 70 minutes long. It follows on from the 45 minute score for Middleham Castle, 75 minute score for Sandal Castle and 90 minutes for Conwy Castle. The score for Rhuddlan will soon be available to buy / download. As with the previous films, it is a rich and melodic orchestral score. Before the DVD of Rhuddlan Castle is available, I will have the pleasure to score a short extra feature on Dyserth Castle, to appear on the same DVD. Here is a sneak preview of the Dyserth Castle reconstruction by Lost in Castles:

Diserth Castle 23.jpg

Bodrhyddan Hall

After completion of Beauty and Joy: The Christian Nature of Music, my compositional style started to develop. Instead of wondering what music is and how my new compositions reveal something about me, I focused on music as a proclamation of worth. This considerably changed my approach to composition from a vague, searching for answers towards a statement of ideas with confidence. This piece was the first step on that road.